Liquid Death: Marketing Healthy Products as Dangerous Entertainment
TL;DR
- Liquid Death's marketing strategy leverages humor and irreverence to make healthy products appealing, positioning them as entertainment rather than mere advertising, which drives consumer engagement and brand loyalty.
- The brand's success hinges on "mental availability," ensuring Liquid Death is a recognized option when consumers consider purchasing beverages, achieved through memorable, entertaining marketing that stands out from traditional advertising.
- By marketing healthy products like junk food, Liquid Death attracts consumers who might not typically choose healthier options, effectively expanding the market for better-for-you beverages.
- The brand strategically uses humor and a "dangerous" persona for water to make healthy choices feel exciting, appealing to a broad audience, including parents seeking to encourage water consumption in children.
- Liquid Death's approach to social media prioritizes quality over quantity, focusing on creating highly engaging, entertaining content that generates significant earned media value rather than frequent, low-impact posts.
- The company's success demonstrates the power of democratizing business through the internet, allowing market forces to determine winners and losers by bypassing traditional gatekeepers.
- Liquid Death's strategy of embracing negative feedback and transforming hate comments into creative content, such as music albums, generates significant engagement and reinforces brand identity.
- The brand's ability to integrate humor with a "do good" message, like promoting sustainability, appeals to consumers seeking brands that align with both entertainment and ethical values.
Deep Dive
Liquid Death's success hinges on a counter-intuitive marketing strategy: positioning a healthy product, water, as dangerous and edgy, mirroring the irreverent, entertainment-first approach typically reserved for junk food and alcohol brands. This disruption of conventional marketing norms allows Liquid Death to capture attention and build a devoted following, demonstrating that humor and genuine entertainment value can drive brand loyalty more effectively than traditional advertising.
The brand's core argument is that in a saturated market, humor and entertainment are the most potent tools for achieving "mental availability" -- ensuring a brand occupies a memorable space in consumers' minds. Mike Cessario, the founder, leverages his advertising background to create campaigns that prioritize being genuinely entertaining, citing data that shows humor significantly improves consumer sentiment towards a brand. This approach contrasts sharply with traditional advertising, which is often perceived as low-value and intrusive. The low bar for entertainment in advertising makes it an achievable goal for brands willing to invest in creative, engaging content, leading to consumers actively seeking out and appreciating the brand's messaging. This strategy is crucial for breaking through the clutter at the point of purchase, where consumers make rapid decisions.
Liquid Death's marketing philosophy is deeply embedded in its product design and communication. The tall-boy can, resembling beer packaging, and names like "Severed Hand" or "Armless Palmer" (later changed to "Dead Billionaire" after a legal challenge) are deliberate choices to make a healthy product feel "dangerous" and appealing to a broader audience, including those who might not typically seek out healthy options. This is exemplified by the brand's success in reaching "target moms" who find the juxtaposition of a skull-branded healthy drink humorous and engaging. Furthermore, the brand's commitment to sustainability ("Death to Plastic") is integrated into its edgy persona, creating a unique duality of "loud, crazy stuff" and "do good stuff" that resonates with consumers seeking brands with purpose. The brand’s iterative, experimental approach to content creation, exemplified by its "Greatest Hates" album series, underscores its willingness to lean into unconventional ideas and user-generated sentiment, turning negative comments into valuable, engaging marketing assets. This strategy of making numerous small bets and allowing the market to decide winners is a direct counterpoint to traditional, risk-averse agency models.
The second-order implications of this strategy are profound. Firstly, it democratizes business by leveraging social media to build a massive audience and prove market viability before significant capital investment, as seen with the initial "waterboarding" video campaign. This approach bypasses traditional gatekeepers and allows for direct market validation. Secondly, it highlights the limitations of relying solely on traditional data for decision-making. Cessario emphasizes that intuition and understanding the "truth" within data are paramount, as easily accessible survey data can be misleading due to sampling biases. Instead, he prioritizes organic social media engagement and qualitative feedback as more reliable indicators of market sentiment. Finally, Liquid Death’s success challenges the established beverage industry's pricing and distribution models, which are heavily influenced by dominant players like Coke and Pepsi. By building a strong, direct-to-consumer brand and then leveraging that traction to gain shelf space, Liquid Death has carved out a niche, proving that a challenger brand can disrupt even heavily entrenched markets by prioritizing authentic connection and entertainment over conventional strategies.
Action Items
- Audit Liquid Death's social media strategy: Analyze content performance across Instagram and TikTok, identifying 3-5 content types that drive highest engagement and earned media value.
- Create a framework for evaluating marketing campaign effectiveness: Define 3-5 key metrics (e.g., earned media value, follower growth, website traffic) to measure success beyond direct sales.
- Develop a tiered influencer outreach strategy: Identify 5-10 micro-influencers and 3-5 macro-influencers whose audiences align with Liquid Death's brand values for potential collaborations.
- Draft a proposal for a new product category: Outline a "better-for-you" beverage concept, specifying 2-3 potential product types and target demographics.
- Analyze Liquid Death's current distribution model: Identify 3-5 key challenges in securing shelf space with major retailers and propose mitigation strategies.
Key Quotes
"advertising is something that most people universally hate and i think it's the one connective tissue with liquid death specifically that i think resonates with people is it's not about do you think skulls are cool it's we're sarcastically using death and skulls to bring a humorous approach to something that's really innocent and healthy"
Mike Cessario explains that Liquid Death leverages a universally disliked medium, advertising, by using death and skulls sarcastically. This approach aims to make something innocent and healthy more appealing through humor, suggesting that the brand's resonance comes from its ironic use of these elements rather than their inherent coolness.
"if you can entertain people which is hard anybody trying to make it an entertainment like writing a hit tv show a hit album a hit anything is really difficult advertising is easy anybody can make a good commercial because the bar is so low it's all just kind of garbage but if you can actually entertain people they will follow your brand like they will seek it out"
Cessario argues that the low bar for advertising makes it an opportunity for genuine entertainment. He suggests that by providing actual entertainment value, a brand can capture consumer attention and loyalty, contrasting this with the typical "garbage" content often found in advertising.
"when someone's looking at a shelf and you've got two to three seconds to get somebody you kind of have to occupy some little place inside their mind where they've seen something in the past repeatedly or you made them laugh or something memorable that when someone gets to the flavored sparkling set it's like oh liquid death like i've heard of that like maybe i'll try that"
Cessario highlights the critical importance of mental availability in retail environments. He explains that a brand needs to create a memorable impression within a few seconds to be recognized and considered by consumers making quick purchasing decisions on the shelf.
"i had too much of a creative spark to want to make really interesting things and it just wasn't happening with clients who just don't want to buy interesting things they're just like no no just we're a frozen pizza company just get the shot of the cheese pull that's all we need you know we don't need anything creative"
Cessario describes his frustration with the limitations of client-driven advertising. He felt his creative drive was stifled by clients who prioritized basic product shots over innovative or interesting campaigns, leading him to seek more creative control.
"the reason liquid death is working at target with like target moms who are not metalheads is i think that's funny that they're using a skull to brand something healthy and i can participate in something funny"
Cessario points out the broad appeal of Liquid Death's branding, noting its success even with audiences like "Target moms" who are not typically associated with the brand's skull imagery. He attributes this to the humor and the unexpected juxtaposition of a skull with a healthy product.
"the internet is both a blessing and a curse but i think the blessing side of it is it has really democratized business i mean even like music i mean there were people who a label probably never would have given a chance but they can put a video on youtube and become you know it lets the market decide the winners and losers where before you had executives that decide gatekeepers"
Cessario credits the internet with democratizing business by removing traditional gatekeepers. He explains that platforms like YouTube allow individuals to gain a following and succeed based on market reception, rather than relying on the approval of executives or labels.
Resources
External Resources
Books
- "The 4-Hour Workweek" by Timothy Ferriss - Mentioned as an example of a book that advocates for a different approach to work and life.
Articles & Papers
- "TIME100 Next" - Mentioned as an accolade received by Mike Cessario.
- "Fast Company’s Most Innovative Companies (#1 in advertising)" - Mentioned as an accolade received by Liquid Death.
- "Bain Insurgent Brands" - Mentioned as an accolade received by Liquid Death.
- "Ad Age’s America’s Hottest Brands" - Mentioned as an accolade received by Liquid Death.
People
- George Carlin - Mentioned as a favorite comedian.
- Tom Segura - Mentioned as a modern comedian who has become an ambassador for Liquid Death.
- Bert Kreischer - Mentioned as a modern comedian who has become an ambassador for Liquid Death.
- Bill Burr - Mentioned as a modern comedian who has become an ambassador for Liquid Death.
- Dr. Phil - Mentioned in relation to a canceled Volkswagen advertising campaign.
- Sherri Deville - Mentioned in relation to a sustainability campaign for Liquid Death.
- Jason Blum - Mentioned as an example of someone who redefined a genre (horror) through a specific business model.
- Mr. Beast - Mentioned as an example of a mega-influencer who focuses on quality over quantity in content creation.
- Arnold Palmer - Mentioned in relation to a cease and desist letter received for the "Armless Palmer" iced tea flavor.
Organizations & Institutions
- Liquid Death - Primary subject of discussion, a non-alcoholic beverage brand.
- Anheuser-Busch - Mentioned as a network of distributors for Liquid Death.
- Coca-Cola - Mentioned as a company that owns its distribution network.
- Pepsi - Mentioned as a company that owns its distribution network.
- Blumhouse - Mentioned as a company that redefined the horror genre.
- Nixon - Mentioned in relation to Liquid Death branded watches.
- HEB - Mentioned as a Texas grocery store chain where Liquid Death is not yet available.
- Trader Joe's - Mentioned as an example of a brand with a high level of fanaticism.
Websites & Online Resources
- drinklmnt.com/tetra - URL for LMNT Electrolytes, mentioned as a sponsor.
- athleticnicotine.com/tetra - URL for Athletic Nicotine, mentioned as a sponsor.
- squarespace.com/tetra - URL for Squarespace, mentioned as a sponsor.
- tetragrammaton.com/join-newsletter - URL for Tetragrammaton Transmissions newsletter signup.
- Facebook - Mentioned as an initial platform for Liquid Death's social media presence.
- Instagram - Mentioned as Liquid Death's primary social media platform.
- TikTok - Mentioned as a platform where Liquid Death has performed well.
Other Resources
- Mental Availability - Concept discussed as a key marketing goal.
- Three Tier System - Mentioned as a post-prohibition distribution system for alcohol in the US.
- DSD (Direct Store Delivery) - Distribution method discussed.
- Broadline/Direct Distributors - Distribution method discussed.
- Death to Plastic - Slogan and message associated with Liquid Death's sustainability efforts.
- Price Pack Architecture - Concept discussed in relation to determining optimal product sizes and pricing.
- Earned Media Value - Metric discussed in relation to marketing campaign performance.