Innovation and Resilience Reshape Sports, Survival, and Art Access
TL;DR
- The Speedo Laser Racer swimsuit, by incorporating polyurethane, created a significant performance advantage, leading to 25 world records in 2008 and 43 more in 2009, prompting a ban due to concerns about excessive technological influence on athletic achievement.
- Violet Jessop's survival of the sinkings of the Olympic, Titanic, and Britannic highlights extreme resilience, demonstrating how individuals can navigate catastrophic events through a combination of circumstance and preparedness, even without swimming skills.
- The development of high-tech curling broom heads, which manipulate stone trajectory, fundamentally altered game strategy by reducing the need for multiple sweepers, leading to rule changes to preserve the sport's traditional balance.
- Art automats, converted cigarette vending machines, democratize art access by offering affordable, precisely sized artworks, thereby challenging traditional gallery models and promoting adaptive reuse of industrial objects for cultural dissemination.
- The standardization of cigarette pack sizes, driven by legislation and vending machine compatibility, inadvertently created a uniform physical constraint that artists now leverage to vend their creations, blending industrial design with artistic expression.
- Violet Jessop's insistence on retrieving her toothbrush before abandoning the sinking Britannic underscores the human need for personal rituals and comfort amidst chaos, even when facing life-threatening situations.
Deep Dive
The "Mini-Stories: Volume 22" episode of 99% Invisible explores how innovation and endurance shape unexpected worlds, primarily through three distinct narratives: a controversial swimsuit that redefined athletic performance, the astonishing survival story of a woman who lived through three major maritime disasters, and an ingenious project that repurposes old vending machines to distribute art. These stories collectively highlight how technological advancements, individual resilience, and creative adaptive reuse can dramatically alter established norms and create new possibilities.
The episode first examines the Speedo LZR Racer swimsuit, launched in 2008, which utilized polyurethane panels to reduce drag, leading to an unprecedented number of world records broken in swimming. This technological leap demonstrates how material science can fundamentally change the outcome of athletic competition, raising questions about fairness and the definition of human achievement versus technological advantage. The subsequent ban of such suits by World Aquatics underscores the tension between fostering innovation and maintaining a level playing field. This situation implies that performance-enhancing technologies, while initially celebrated, can devalue the human element of sport if not carefully regulated, potentially leading to an arms race in equipment rather than athlete development.
Following this, the narrative shifts to Violet Jessop, a stewardess who miraculously survived the sinking of the RMS Titanic in 1912, the HMHS Britannic in 1916 (which struck a mine during WWI), and also experienced the collision of the Olympic in 1911. Jessop's story is a testament to extraordinary human endurance and perhaps a peculiar form of luck, or unluck, depending on one's perspective. Her repeated survival through catastrophic events, even amidst a lifelong fear of drowning and an inability to swim, illustrates the unpredictable nature of life and the remarkable capacity of individuals to persevere through extreme adversity. The anecdote of her grabbing her toothbrush before escaping the Britannic underscores the focus on small, personal rituals and preparedness even in the face of overwhelming disaster, suggesting that maintaining normalcy and personal habits can be a coping mechanism. The implication is that while luck plays a role, preparedness and a determined will to survive are critical factors in navigating life-threatening situations.
Finally, the episode introduces art automats, repurposed cigarette vending machines that dispense small, precisely sized artworks. This initiative, started by artist Clark Wittington, democratizes art by making it accessible, affordable, and serendipitous, much like purchasing a pack of cigarettes. By adapting a machine designed for mass-produced consumables, Wittington's project highlights the power of adaptive reuse in design and the potential for unexpected venues to host cultural experiences. The success and spread of artomats suggest a broader societal interest in art that is both tangible and easily obtainable, challenging traditional gallery models. This initiative implies that by removing barriers to access, art can become a more integrated and ordinary part of daily life, fostering a wider appreciation for creative endeavors.
Collectively, these stories reveal that innovation, whether in athletic wear, personal resilience, or the distribution of art, often pushes boundaries and challenges existing systems. The second-order implications suggest that while such advancements can lead to remarkable achievements and profound personal narratives, they also necessitate re-evaluation of rules, definitions of fairness, and our relationship with everyday objects and experiences. The episode concludes by emphasizing that even in the face of chaos or the mundane, creativity and a focus on personal preparedness can lead to remarkable outcomes.
Action Items
- Audit swimsuit regulations: Analyze 2008-2009 aquatic suit controversies to identify criteria for performance-enhancing equipment bans.
- Draft equipment fairness policy: Define standards for competitive equipment availability and approval processes, referencing aquatic suit regulations.
- Evaluate vending machine reuse: Assess the feasibility of converting 3-5 disused vending machines for art distribution in local community centers.
- Track art automaton artist diversity: Monitor the number of unique artists and artwork types available across 5-10 art automaton locations.
Key Quotes
"The thing that made the laser racer so controversial is that speedo really took advantage of the fact that world aquatics was pretty lenient on what could be considered fabric... the laser racer added a thin layer of polyurethane and the addition of this rubbery material helped swimmers create less drag as they moved through the water."
Producer Jacob Medina Gleason explains that the Speedo Laser Racer swimsuit's controversy stemmed from its use of polyurethane, a material that reduced drag. This innovation gave swimmers wearing the suit a significant advantage in the water.
"The ioc ruled that the suit would only be allowed if it was made available to all competitors... the 2008 olympics came and records were made at an unbelievable rate... there were 25 world records broken and of the swimmers who medaled more than 90 of them were wearing this suit."
Jacob Medina Gleason details how the International Olympic Committee intervened to ensure fairness by requiring the Laser Racer suit to be available to all athletes. This led to a surge in record-breaking performances at the 2008 Olympics, with a vast majority of medalists wearing the controversial suit.
"Violet jessop is born in 1887 in argentina to irish immigrant sheep farmers she is the oldest of six children and as a young woman she dreams of becoming a nurse but then before she can chase that dream her father dies and her mother gets sick meaning very early on violet has to become the family breadwinner."
Producer Joe Rosenberg introduces Violet Jessop, highlighting her early life challenges. Jessop, born in Argentina to immigrant parents, faced the responsibility of becoming a family breadwinner at a young age due to her father's death and her mother's illness.
"Fast forward seven months to april of 1912 when violet is again picked to be on the maiden voyage of the white star line's newest ship the largest ship in the world... the rms titanic... and the titanic is actually basically identical to the olympic just a tiny bit bigger and on the titanic's inaugural transatlantic voyage... a giant crash and shudder runs through the entire length of the ship because its steel plated hull had been severely punctured on its starboard side just below the waterline only this time it's an iceberg."
Joe Rosenberg recounts Violet Jessop's experience on the Titanic's maiden voyage. He notes the ship's similarity to its sister ship, the Olympic, which Jessop had previously survived a collision on, and describes the fatal iceberg impact that punctured the Titanic's hull.
"Violet jessop is on board for one thing violet jessop is on board violet jessop has entered the chat which is how it comes to pass and i hate to say it one morning in november of 1916 on a voyage from southampton to greece a giant crash and shudder runs through the length of the ship because its steel plated hull had been severely punctured on its starboard side below the waterline okay well here we go so what was it this time that they crashed into or whatever well this time they crashed into nothing this time well or they did in a sense because the britannic had struck a mine a german mine."
Joe Rosenberg reveals Violet Jessop's third maritime disaster. He explains that Jessop was aboard the HMHS Britannic, the third sister ship to the Olympic and Titanic, when it struck a German mine during World War I, causing severe hull damage.
"I must tell you this little joke about the family violet the next time you go on a boat for god's sake if it's going to sink put your toothbrush in your pocket."
Joe Rosenberg shares a memorable detail from Violet Jessop's account of the Britannic sinking. Jessop, having learned from the Titanic disaster, prioritized retrieving her toothbrush, a seemingly minor item that underscored her survivalist mindset.
"The idea was that it would make it more expensive for like youths to buy cigarettes and so you'd get less kids smoking... and then of course with the advent and spread of vending machines cigarette companies wanted to conform you know there's this incentive because if all the other brands have packs that fit and yours don't your brand is going to get left out of this very lucrative sales venue."
Producer Kurt Kolstad explains the historical context behind cigarette packaging size regulations. He notes that legislation requiring a minimum of 20 cigarettes per pack and the prevalence of vending machines incentivized cigarette companies to standardize their packaging dimensions.
"Wittington sought out a disused machine and he converted it to spit out polaroid prints that he packed to blocks of wood and made like part of this local art show and that was the very first art automaton."
Kurt Kolstad describes the origin of the art automaton. He explains that artist Clark Wittington repurposed a disused vending machine to dispense art, specifically Polaroid prints attached to wooden blocks, marking the creation of the first art automaton.
Resources
External Resources
Books
- "Titanic Survivor" by Violet Constance Jessop - Mentioned as the title of Violet Jessop's memoir, which was published posthumously.
Articles & Papers
- "The memory palace" (KQED) - Mentioned as the podcast hosted by Nate DeMeo, with whom Roman Mars was hosting a live conversation.
People
- Nate DeMeo - Host of "The Memory Palace" podcast, with whom Roman Mars was hosting a live conversation.
- Violet Constance Jessop - Stewardess and nurse who survived the sinkings of the RMS Olympic, RMS Titanic, and HMHS Britannic.
- Thomas Andrews - Ship designer for the White Star Line, mentioned in relation to the Olympic, Titanic, and Britannic.
- Captain Edward Smith - Commander of the RMS Olympic and RMS Titanic.
- Arthur Priest - Boiler room stoker who survived four ship sinkings and two major collisions.
- Clark Wittington - Artist who originated the concept of the art automaton.
- Jason De Leon - Mentioned as someone from whom the term "devil's advocate" was learned.
- Jesse Billingham - Special thanks for the recording of Violet Jessup.
Organizations & Institutions
- White Star Line - Shipping company for which Violet Jessop worked and which owned the Olympic, Titanic, and Britannic.
- International Olympic Committee (IOC) - Issued a ruling on the Speedo Laser Racer swimsuit.
- World Aquatics - Governing body for swimming, which eventually banned polyurethane suits.
- Red Cross - Organization where Violet Jessop trained as a nurse.
- RJ Reynolds Tobacco Company - Hometown of the company is mentioned in relation to Clark Wittington's art automaton project.
- SiriusXM Podcast Family - The parent company of 99% Invisible.
Websites & Online Resources
- 99pi.org - The website for 99% Invisible, where past episodes and ticket links can be found.
- artomat.org - The website for artomat, which includes a map of vending machines and information about artists.
Other Resources
- Laser Racer - A controversial Speedo swimsuit launched in 2008 that incorporated polyurethane.
- Art Automaton - A vending machine that dispenses artwork, often converted from old cigarette dispensers.
- King-sized hard pack - The specific dimensions of cigarette packs that became a standard size, influencing art automaton dimensions.
- Dude with a project - A category of design stories that Roman Mars has a rule about not covering unless it has a larger, richer design story.