Trauma-Informed Comedy: Resilience, Identity, and Unexpected Success - Episode Hero Image

Trauma-Informed Comedy: Resilience, Identity, and Unexpected Success

Original Title: JOANNE MCNALLY: The Identity Crisis of Being Adopted, Finding Success In My 30s and Why I’m Single

TL;DR

  • Transforming personal trauma, like adoption and eating disorders, into comedy provides a powerful coping mechanism and a unique platform for connection, demonstrating resilience and creativity.
  • Embracing one's authentic voice, even when it deviates from a perceived "perfect plan," can lead to significant career success and personal fulfillment in later life.
  • The search for identity, particularly for adopted individuals, can manifest as a need for validation and a drive to understand one's origins, influencing creative expression.
  • Humor serves as a primary tool for navigating difficult life experiences, allowing for the processing of trauma while simultaneously building a relatable and successful public persona.
  • A career shift into comedy in one's thirties, fueled by a desire for creative expression and a willingness to be vulnerable, can lead to unexpected international success.
  • The podcast "My Therapist Ghosted Me" emerged organically from a shared experience, highlighting how relatable content and opportune timing can create significant momentum.
  • Personal resilience is demonstrated through the ability to move forward from difficult life events, reframing challenges as catalysts for growth rather than insurmountable obstacles.

Deep Dive

The conversation begins with Joanne McNally reflecting on her early life and the complexities of being adopted. She describes a feeling of being "spat out of a spaceship naked," lacking context for her own identity, despite a happy upbringing. This initial feeling, she explains, led to an "identity crisis of sorts" later in life, a theme she notes is shared by other adopted comedians who may feel a need for validation. McNally recounts childhood experiences where she used her adoption as a storytelling device, fabricating dramatic origins like plane crashes to make herself seem more interesting, a tactic she found amusing at the time.

The discussion then shifts to McNally's personal history with an eating disorder. She explains that the disorder became severe in her thirties, impacting her ability to work and forcing her to move back with her mother. The recovery process became her "full-time gig," a challenging period where she acknowledges the disorder "completely takes over your mind." McNally suggests that the severity of her illness was, in a way, a blessing, as it forced her to confront it directly rather than letting it remain a hidden struggle. She reflects that without this experience, she likely wouldn't be where she is today, highlighting the transformative power of overcoming such adversity.

McNally then details her career transition from public relations to comedy. She initiated this shift by writing a blog called "eat the pastry," which eventually led to a newspaper column. Subsequently, she was cast in a play called "Singlehood," where she met a comedian who encouraged her to try stand-up. She recounts her first stand-up performance in 2018, describing the nerves but also the sense of release that came with being open about her experiences, particularly her eating disorder. She notes that the play, which explored love lives, was a catalyst, as she had previously used relationships as a way to cope with her illness.

The conversation moves to McNally's views on relationships and marriage. She admits to falling "insane" in intense relationships in the past, characterized by drama and frequent breakups, attributing this partly to a dopamine-seeking tendency common in ADHD. However, she states she has since experienced more stable relationships, indicating personal growth. McNally expresses a current disinterest in marriage, though she is open to finding love. She also touches upon the societal pressure on women to have children, stating she would consider adoption or even a platonic co-parenting arrangement.

McNally shares her experiences with dating apps, specifically Hinge, describing it as an attempt to re-enter the dating scene. She discusses her "type," emphasizing the importance of humor and a touch of "trauma" or "wounds" in a partner, while also noting a preference for men who acknowledge her identity as a public figure. She humorously recounts a date where the man pretended not to know her, which she initially found off-putting but later realized was a test of his character. She also shares a story about a one-night stand where the man wore his coat the entire time, highlighting unusual dating experiences.

The podcast touches upon the unexpected success of McNally's podcast, "My Therapist Ghosted Me." She explains it originated from a casual video with her friend Vogue Williams, which viewers enjoyed, leading to the podcast idea. The timing, coinciding with the end of COVID-19 lockdowns, proved fortuitous, as people were eager for entertainment. McNally observes that the podcast's popularity has influenced her live shows, with audience members attending specifically because of the podcast.

McNally discusses the role of her Irish identity in her comedy career. She believes Irish comedians benefit from a strong cultural reputation for humor, making them readily accepted by audiences. She notes that her accent often creates an immediate sense of comfort and trust with listeners.

A significant portion of the conversation revisits the topic of McNally's therapist "ghosting" her. She recounts how her therapist, Sam, stopped responding during lockdown, leading her to fear something had happened to him. After eventually receiving a referral from him, she realized he had simply ended their professional relationship. This experience, combined with a chance remark from a producer, led to the podcast being named "My Therapist Ghosted Me." McNally humorously recounts a public poster campaign for the podcast that, due to a printing error, displayed her name alongside the word "Rapist" instead of "Therapist," a bizarre incident she found both alarming and amusing.

Finally, McNally reflects on her personal growth, particularly her increased self-awareness and independence. She acknowledges that while she once sought external validation, she now feels more self-assured and financially independent. She expresses a love for laughing and a tendency to find humor in most situations, even calling herself a "cheap laugh." She also shares her favorite swear words, finding power in using words like "cunt" due to their taboo nature.

Action Items

  • Create a personal narrative framework: Document 3-5 core life events (adoption, eating disorder recovery, career shift) to identify recurring themes and potential areas for deeper self-exploration.
  • Audit personal coping mechanisms: Analyze 2-3 instances where humor was used to deflect from difficult topics (e.g., adoption, past trauma) to understand its effectiveness and potential limitations.
  • Develop a "true voice" exploration plan: Identify 3-5 creative outlets or activities (e.g., writing, performance) that align with the insight that embracing one's true voice can change everything.
  • Evaluate relationship patterns: Track 2-3 past intense relationships to identify commonalities in dynamics and assess how to foster more stable connections moving forward.

Key Quotes

"I was adopted, and my adoptive mother said when I arrived that obviously she was mad about me because I was this new baby in the house and then I kind of let myself in by my own keys but she like what she said that I asked her once what was it like as a child and she said you were very flirtatious and I was like what and she's like with men and women actually and I was like oh my god I'm obviously just like a game you baby really yeah"

This quote highlights Joanne McNally's early awareness of her adoptive status and how her mother perceived her personality. McNally uses humor to describe her flirtatious nature as a child, linking it to a desire for attention and perhaps an early indication of her future career in performance.


"I know yeah and so you do you just go and I was adopted I there's so I'm just like you know when I throw you around hang you're like I don't I don't they don't they with me anymore but being adopted that's a huge thing it is you can make it a huge thing if you want you didn't well I think it was handled very very well so there was never any big reveal"

Here, McNally reflects on how her adoption was handled and her initial perception of it. She suggests that while adoption is a significant aspect of one's identity, it doesn't have to define or overwhelm an individual if managed appropriately, as she feels it was in her case.


"I think I wanted to perform and I think there was a creative side of me that was not being met not at all and I think I was deeply unhappy in my life choices and I didn't have the confidence or the kind of contact or the the I wasn't in the world of performance and comedy or anything like that so wasn't in that world the confidence to do it either"

This quote reveals McNally's realization that her previous career path was unfulfilling and that her true passion lay in performance. She identifies a lack of creative outlet and confidence as barriers she faced before transitioning into comedy.


"I remember my first breakup oh my god I'll never forget the pain it was oh yeah I like I remember breaking up with the guy when I was 10 years of age and I swear to god I'm gay I think going on a long time Jamie I was nearly starter I loved boys I was boy mad you can't be 10 and be broken hearted"

McNally uses this anecdote to illustrate her early and intense emotional experiences, even at a young age. She humorously contrasts her childhood heartbreak with the idea of being "boy mad," suggesting a precocious capacity for deep feelings.


"I think Ireland we have we do we're funny yeah very funny we're just funny and we have a great sense of humor like we just do culturally and so because coming to the UK they trust Irish comics because we've such a great legacy of irish comedians it's very rare you meet a shit irish comic they're just funny"

In this quote, McNally attributes her comedic success, in part, to her Irish heritage. She believes that Irish comedians are culturally predisposed to being funny and that this reputation precedes them, creating a favorable reception in places like the UK.


"I said Sam joanne again I've left you a lot of messages and you haven't responded I'm guessing you don't want to do any more sessions I'm willing to pay I was like Sam um do you still work in mental health like that's not a like that's not saying can I see you that's just like a broad question and he said joanne yes I do and here's who I'd recommend for it burn"

This quote details a specific instance where McNally's therapist "ghosted" her, leading to the inspiration for her podcast title. McNally's direct approach to seeking answers, even from her therapist, underscores her personality and the eventual genesis of her popular show.

Resources

External Resources

Books

  • "Bite Me" - Mentioned as a show that was turned into a play, based on a blog.

Articles & Papers

  • "eat the pastry" (Irish newspaper) - Mentioned as the publication that picked up Joanne McNally's blog, leading to her getting a column.

Websites & Online Resources

  • iherb.com - Referenced as an online wellness destination.
  • oliveandjune.com - Referenced for a gel mani system with a discount code.
  • quo.com/business - Referenced for a business phone number service.
  • vertexinc.com - Referenced for a global tax compliance platform.
  • redcross.org - Referenced for donations to assist with emergencies.
  • acast.com/privacy - Mentioned in relation to podcast hosting.

Podcasts & Audio

  • "My Therapist Ghosted Me" - Mentioned as Joanne McNally's podcast.
  • "Great Company with Jamie Laing" - The podcast where this episode is featured.
  • "Jo Brand episode" - Mentioned as a previous episode of "Great Company".

Other Resources

  • "Singlehood" - Mentioned as a play that Una Mcavity cast Joanne McNally in.
  • "Love is Blind" (American version) - Mentioned as a guilty pleasure.

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